Assemblages of found objects—driftwood, stone, bone—on panel, unified under white and grey paint. The monochrome functions like a shared reverb, placing disparate forms in a common acoustic space. Light and shadow extend the composition onto the surrounding panel.

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Wrack Line Compositions

glossamurmur is a custom application that generates a reactive visual environment out of the poetic voice, in real time. Developed collaboratively with Mexican poet Zazil Alaíde Collins, the instrument responds to semantic and sonic expression across three modes: an ASCII typography field where spoken Spanish surfaces as English text, a grayscale rectilinear geometry that multiplies language kaleidoscopically, and a 50,000-particle murmuration driven by voice and ended by a breath blown into the microphone. Nothing is touched or cued by hand during a performance; the work is driven entirely by voice and sound.

Glossamurmur

Requiary is an interactive web installation where visitors submit anonymous expressions of grief. Each message becomes a particle in a shared visual field, positioned by semantic similarity—messages about similar losses cluster together. A generative soundscape responds to the aggregate presence: semantic proximity becomes harmonic consonance, so the sound of the installation changes as its content grows.

Requiary

Hollow plaster armatures wrapped in white cotton, mounted in relief on wooden panel. Figures caught mid-lamentation—their absence as present as their form. Exhibited at Truss House, Denver, 2025.

Wrack Line Compositions

Glossamurmur

Requiary

The House of Mourning